A 20-year-old US black poet has won the prestigious ‘Most Promising Young Poet Award’ from the Academy of American Poets.
Donte Collins scooped the prize for a poem dashed off in only 15 minutes and which was triggered by yet another shooting of a fellow black man by a white police officer.
Collins is a young man who may well be suffused by an uncomprehending, unrelenting rage.
After all, he could demand, as he was born in Chicago why were he and a brother summarily despatched to be adopted by a total stranger in Minneapolis-St Paul, Minnesota when he was aged only two? Didn’t they have a say in the arrangement? Why weren’t they allowed to be raised and loved by their natural mother – like other kids?
“My childhood was filled with both beauty and struggle … I was so angry. I didn’t understand what adoption meant. I had so much grief,” he says. It was only later that he began to understand that he could best express himself by using words instead of fists.
Below I repost Donte’s poem, what the dead know by heart along with Perspective by Amy King, who was co-winner of the 2015 Tarpaulin Sky Book Prize.
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what the dead know by heart
by Donte Collins
lately, when asked how are you, i
respond with a name no longer living
Rekia, Jamar, Sandra
i am alive by luck at this point. i wonder
often: if the gun that will unmake me
is yet made, what white birth
will bury me, how many bullets, like a
flock of blue jays, will come carry my black
to its final bed, which photo will be used
to water down my blood. today i did
not die and there is no god or law to
thank. the bullet missed my head
and landed in another. today, i passed
a mirror and did not see a body, instead
a suggestion, a debate, a blank
post-it note there looking back. i
haven’t enough room to both rage and
weep. i go to cry and each tear turns
to steam. I say I matter and a ghost
white hand appears over my mouth.
-----------------
Perspective
by Amy King
When I see the two cops laughing
after one of them gets shot
because this is TV and one says
while putting pressure on the wound,
Haha, you're going to be fine,
and the other says, I know, haha!,
as the ambulance arrives—
I know the men are white.
I think of a clip from the hours
of amateur footage I've seen
when another man at an intersection
gets shot, falls, and bleeds from a hole
the viewer knows exists only by the way
the dark red pools by the standing cop's feet,
gun now holstered, who
yells the audience back to the sidewalk.
I know which one is dying
while black and which one stands by white.
I think this morning about the student
in my class who wrote a free write line
on the video I played
that showed a man pouring water
on his own chest, "...the homoerotic
scene against a white sky" with no other men
present. Who gets to see and who follows
what script? I ask my students.
Whose lines are these and by what hand
are they written?
© Natalie Wood (11 September 2016)
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