Friday 2 October 2015

This Dinner Guest’s Personal Exodus?

Anat.HoffmanEven as a strong IRAC (Israel Religion Action Centre) supporter and its feisty director, Anat Hoffman I can’t agree with everything she and her organisation do.

In the past week, for example, I felt more embarrassed than engaged when she used her newsletter, The Pluralist, to suggest that the tradition of ‘inviting’ historical guests to celebrate the festival of Succot be widened to include “seven Israeli-Arab and Palestinian treasures, including  performers, politicians, and poets”. 

Ali.Salem Perhaps I’m not alone in feeling it’s the wrong time to mix religion and politics and that anyway her choice was rather arbitrary. Why did she not, for example, include the much-admired Egyptian writer, Ali Salem who had been widely ostracised by his fellow countrymen after visiting Israel in 1994 and died during September aged 79?

But never mind! It’s given me a reason to look at the work of one of Hoffman’s proposed ‘guests’, Taha Muhammad Ali, a Palestinian poet and short story writer who lived in Lebanon with his family during the 1948 Israel War of Independence  but went on to spend the rest of his life in Nazareth where he owned a souvenir shop. He died there in 2011.

The Poetry Foundation says of Ali: “Self-taught through his readings of classical Arabic literature, American fiction, and English poetry, Ali started writing poems in the 1970s. His collections in English include Never Mind: Twenty Poems and a Story (2000) and So What: New and Selected Poems, 1971–2005 (2006).

Adina Hoffman’s biography of Ali, My Happiness Bears No Relation to Happiness: A Poet’s Life in the Palestinian Century, won the 2010 Jewish Quarterly Wingate Prize.

ExodusTaha Muhammed Ali

 

“The street is empty

as a monk’s memory,

and faces explode in the flames

like acorns—

and the dead crowd the horizon

and doorways.

No vein can bleed

more than it already has,

no scream will rise

higher than it’s already risen.

We will not leave!

 

“Everyone outside is waiting

for the trucks and the cars

loaded with honey and hostages.

We will not leave!

The shields of light are breaking apart

before the rout and the siege;

outside, everyone wants us to leave.

But we will not leave!

 

“Ivory white brides

behind their veils

slowly walk in captivity’s glare, waiting,

and everyone outside wants us to leave,

but we will not leave!

 

“The big guns pound the jujube groves,

destroying the dreams of the violets,

extinguishing bread, killing the salt,

unleashing thirst

and parching lips and souls.

And everyone outside is saying:

“What are we waiting for?

Warmth we’re denied,

the air itself has been seized!

Why aren’t we leaving?”

Masks fill the pulpits and brothels,

the places of ablution.

Masks cross-eyed with utter amazement;

they do not believe what is now so clear,

and fall, astonished,

writhing like worms, or tongues.

We will not leave!

 

“Are we in the inside only to leave?

Leaving is just for the masks,

for pulpits and conventions.

Leaving is just

for the siege-that-comes-from-within,

the siege that comes from the Bedouin’s loins,

the siege of the brethren

tarnished by the taste of the blade

and the stink of crows.

We will not leave!

 

“Outside they’re blocking the exits

and offering their blessings to the impostor,

praying, petitioning

Almighty God for our deaths”.

  © Natalie Wood (02 October 2015)

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